No. 1, December, 2011
（December 2011，2011年12月）
目录 Contents
卷首语 From the Editor's Desk
人学、神学与国学 Humanities, Theology, and Chinese National Studies
# 01, pp.18-28 杨煦生 失魅时代的超越之维：当代语境中的中国宗教难题
实践神学与中西教会与社会 Practical Theology and Sino-Western Views on Church and Society
IJSWS # 01, pp.31-41 高师宁 认识与被认识：中国社会与基督教
IJSWS # 01, pp.42-56 SUN Shangyang and LI Ding, Chinese Traditional Culture Study Fever, Scarcity of Meaning and the Trend of University Students’ Attitude toward Religions
中西经典与圣经 Chinese and Western Classics and the Bible
IJSWS # 01, pp. 57-58 中西经典与圣经 Chinese and Western Classics and the Bible
IJSWS # 01, pp. 69-80 YOU Bin, Comparative Scriptural Studies
教会历史与中西文明变迁 Church History in the West and in China
IJSWS # 01, pp. 81-82 教会历史与中西文明变迁 Church History in the West and in China
IJSWS # 01, pp. 83-97 WANG Jianping, Islam of Kashgar as Observed by the Missionaries from the Mission Covenant Church of Sweden and their Contacts with the Uyghur Muslim Society of South Xinjiang
IJSWS # 01, pp. 98-118 XIAO Qinghe, A Preliminary Exploration on the Religious Life and Organization of the Ming and Qing Catholic Christians
比较宗教文化研究 Comparative Religious and Cultural Studies
IJSWS # 01, pp.121-145 钟志邦 罗马与中国的和平：两个帝国的故事
IJSWS # 01, pp.146-164 CHEN Jian, Relieving People from Suffering and Misery: Guanyin, Gospel, and the Chinese Contextualization of Christianity
书评与通讯 Reviews and Academic Reports
IJSWS # 01, pp.167-170 JIANG Yi, Sino-Christian Academic Dialogical Theology in the Framework of the Great Guoxue
IJSWS # 01, pp.171-177 CHEN Shengbai and TIAN Fei, The Third Academic Conference on Religious Dialogue and Harmonious Society
IJSWS # 01, pp.178-185 梁玉龙 宗教、信仰、国家与社会之北欧会议简讯
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Calligraphy of journal title by Prof. LIU Dajun (Chairman of the Chinese Yiching Association, Professor of Shandong University.)刊名题字：刘大钧（山东大学终身教授、中国周易研究会会长）
The logo of journal is taken from a Han Dynasty brick carving. It is a flying dragon with one head, two wings, four feet and one tail; and it symbolizes the reality of Chinese thinking system. 本刊 logo 取自汉砖图案，是一只一首两翼四足一尾的飞龙， 象征中国精神体系的实然形象。
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